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The IBMT’s annual commemoration: London 2024

I was very honoured to be asked to join PCS General Secretary Fran Heathcote as a speaker at the annual commemoration of the International Brigade Memorial Trust. As always, the ceremony was held in front of the national memorial in Jubilee Gardens on London’s south bank. For those who missed it, there is a report on the Trust’s website and there are some great photos of the event on Andrew Wiard’s site.

Richard Baxell speaking in front of the IBMT banner at London's South Bank. Photo by Andrew Wiard
The 2024 IBMT commemoration. Photo © Andrew Wiard.

Here is the full text of the speech:

I would like to talk to you today about a British volunteer, who lived just down the road from here. He was one of many who were taken prisoner by Franco’s forces during the Spanish Civil War. Some of you will have known him, some of you will have known of him. His name was George Wheeler.

George’s mother was an unpaid domestic worker, his father a door-to-door salesman and a socialist. George always saw himself as an antifascist, though he was not political in a party sense. He was much more interested in sport, excelling at football, swimming and, in particular, boxing.

In the spring of 1938, the 24-year-old was living with his mother in Battersea and working as a wood machinist. Incensed by the British Government’s support for non-intervention in Spain, which George could see was clearly working in favour of Franco’s Rebels, he decided to join the fight against fascism.

George Wheeler riding a motocucle, sometime in the 1930s
George Wheeler, during the 1930s

Following a brief interview in London by a senior member of the Communist Party, he was accepted into the International Brigades, despite a lack of military experience. George travelled to Spain in a group which included the Liverpudlian Jack Jones, arriving on 27 May 1938.

It was not an auspicious time to join the fight, for a huge Francoist offensive launched earlier in the year had smashed through Republican lines, splitting the Spanish Republic in two. As Bill Rust brutally summarised in his history of the British in Spain:

The 1938 … recruits had no illusions; they knew they had come to face death.

Bill Rust, Britons in Spain, p. 104.

Nonetheless George joined Number 4 Company of the British Battalion on 30 June. His first experience of combat came the following month when the British Battalion was part of the huge Republican offensive across the River Ebro.

In the full heat of the Spanish summer, bombed and shelled remorselessly, George fought alongside his comrades in the International Brigades and the Spanish Republican Army to try and retake the territory lost in the spring. He fought at Corbera, at Hill 481 near Gandesa and at the aptly named Hill 666.

After a brief stay in hospital due to an infection, George rejoined the battalion in September to participate in its final action on Spanish soil. As you probably know, it was nothing short of a disaster. Only a matter of hours from being withdrawn, many volunteers were killed or wounded, while George and a number of his comrades were surrounded and taken prisoner by Franco’s troops.

As George will have been well aware, many International Brigaders taken prisoner by the Nationalists were never heard from again. So when he and the other prisoners were lined up against a wall with their hands tied behind their backs, one can only imagine what must have been going through their minds.

But to their great relief, this was not to be their fate; Mussolini’s pressure on Franco to exchange captured International Brigaders for Italians probably saved their lives. Instead, they were taken away and locked up in the nearby city of Zaragoza.

Knowing what happened during the war that followed, we should not be surprised at the terrible treatment George and the other prisoners were subjected to: that they were transported for several days, crammed into cattle trucks; that the POW camp, in a decaying monastery near Burgos called San Pedro de Cardeña was, to all extents, a concentration camp; that the conditions were overcrowded and insanitary, proving a fertile breeding ground for fleas, lice and disease; that the food was woefully inadequate, George described it as a mixture of ‘stale bread and table scraps’, which looked like pigs’ swill; and that that violence was endemic, with prisoners viciously beaten with wooden sticks for the slightest reason, or for none at all.

Captured International Brigaders arriving atthe Francoist POW camp in  San Pedro de Cardeña, near Burgos.
Captured International Brigaders arriving at the Francoist POW camp, San Pedro de Cardeña.

It is almost impossible to imagine how awful the day-to-day experiences must have been. Understandably, many must have wondered whether they would ever see their homes again.

And yet, even in these darkest hours, prisoners showed astonishing courage, finding ways to maintain their humanity, to resist: they practiced sports, such as football and boxing (much to George’s delight); they played chess, with pieces carved out of old bits of soap or dried bread; they held political meetings and ran education classes; and a clandestine newspaper, The Jaily News, lampooned the camp and its authorities.

Mockery is, of course, a powerful form of resistance.

When one of George’s comrades, Morrie Levitas, was ordered to read out fascist propaganda, he deliberately mispronounced words, skipped punctuation and added random pauses, reducing the prisoners to laughter and the guards to fury.

When prisoners were instructed that, when saluting, they must bellow ‘¡Fran-co!’, in two distinct syllables, George described how they subverted the order:

With volume and enthusiasm we English-speaking prisoners shouted ‘Fuck You!’
The guards would come in among us swishing their sticks and yelling ‘¡mas fuerte!’ – much louder. And with even greater gusto we would respond with, ‘FUCK YOU! . . . FUCK YOU!’

George Wheeler, To Make the People Smile Again, p. 155.

After three months in San Pedro, in early January 1939, news finally arrived that George and 76 other British prisoners were to be released. However, freedom did not immediately beckon for George, only another prison in San Sebastián. It was not until April – after the end of the civil war – that he was finally released. This response to freedom was actually written by one of George’s fellow prisoners from Nottingham, but I suspect it holds true for all of them:

George Wheller in 2006, holding copies of his Spanish Civil War memoir, To Make the People Smile Again
George in 2006, with copies of his memoir, To Make the People Smile Again

That day was surely one of the greatest of my life. I simply cannot convey all of the feelings and emotions which I experienced: relief at having come safely through the dangers of war, joy at being on my way home, excitement at the prospect of seeing my family again, sorrow over the certain defeat of the Republic, anger that the Fascists had been allowed to triumph because of the timidity and dual standards of the western democracies, and deep sadness at the loss of so many friends and comrades who would never be leaving Spain but lying for the rest of time in shallow graves in her dusty soil. All of these emotions and others welled up inside me, but no regret at having committed myself to a cause which I felt to be a just one.

Walter Gregory, The Shallow Grave, p. 152.

You will be pleased to know that George recovered from his experiences in San Pedro and continued his fight against fascism during the Second World War where he was posted, bizarrely, to Sierra Leone. After being demobbed he returned to a quiet civvie life with his wife Winnie, who he had married in 1940. George lived to a grand old age and, to his delight, his account of his time in Spain, To Make the People Smile Again, was published in 2006.

Today, we remember George and all the other open-eyed volunteers.

Joint launch of Forged in Spain and Perfidious Albion

On 15 June 2024, I joined Professor Sir Paul Preston at the Marx Memorial Library in London for a launch of our latest books, both published by The Clapton Press.

Both books are centred on Britain during the Spanish Civil War. Paul Preston’s Perfidious Albion is a collection of essays with three major themes. The first is the hypocricy of the British Goverment during the war, whose policy on ‘non-intervention’ was, Preston argues, driven not just by a willingness to sacrifice the Spanish Republic to preserve wider European peace, but by a sympathy among the establishment and political class that ‘leant more to the White than to the Red’. The second theme is the sacrifice of a number of medical workers from Britain who volunteered to help the beleagured democratic government of Spain. Finally, Preston turns to a number of writers and historians who have commented on the war, including George Orwell, Burnett Bolloten, Gerald Brenan and Herbert Southworth. Perfidious Albion was described by a reviewer as:

L to R: Richard Baxell & Paul Preston

‘The perfect book for anyone seeking a dispassionate and scholarly introduction to the Spanish Civil War.’

John Green, Morning Star

Forged in Spain is a collection of ten biographies which tell the stories of a handful of extraordinary men and women, explaining why they went to Spain, what happened to them there and the lasting, often dramatic impact the war had on their lives. The subjects include several members of the International Brigades (including an artist and poet, two senior British Officers and a driver who later spied for the Soviet Union), a Surgeon, a Journalist, a young member of the ILP militia, an aid and refugee worker and, finally, a volunteer for Franco, who later served with distinction in the SOE during the Second World War.

‘These enthralling biographies give a picture of the passions of the age … Baxell’s research is meticulous … Forged in Spain is a serious and moving book that may inspire readers to fight the rise of a new fascism today.’

Michael Eaude, TLS.

Both Perfidious Albion and Forged in Spain can be obtained from all the usual outlets, or directly from the publisher, The Clapton Press.

Anti-Fascist London

On 24 April 2024 (the 92nd anniversary of the Kinder Trespass), I joined a round-table discussion at The Bishopsgate Institute in London talking about the memorialisation of anti-fascism. The discussion concluded an afternoon listening to a number of powerful testimonies from individuals involved in the struggle against fascism in London:

  • Balwinder Rana. Half a Century of Fighting against Fascism and Still Going Strong
  • Julie Begum. Women Unite Against Racism
  • Joe Mulhall. HOPE not hate’s campaign against the BNP in Barking and Dagenham and beyond
  • Alex R. Organising in the Anti-Fascist Network: A view from London
  • Iida Kayhko. Feminist anti-fascism and collective self-defence

Joining me around the table, chaired by Nigel Copsey of Teeside University, were Naaz Rashid of the University of Sussex and Ben Gidley of Birkbeck, University of London.

The various talks, discussions and academic papers heard over the two-day event are to be published in a collected volume, precise details to be confirmed.

Crowd at the International Brigade Memorial Trust‘s annual commemoration in 2003, Chris Smith MP on the right of picture.

History Most Podcast

In early August 2020 I joined Alex Clifford, author of Fighting for Spain, a new military history of the International Brigades, to talk about their role in the Spanish Civil War.

In a long-ranging discussion lasting almost two hours(!), we discussed the formation of the Brigades, to why and how so many volunteers flocked to Spain, the battles they fought, and the people who served in them. Why did these men (and some women) became History’s Most Unlikely Warriors?

The podcast was released on 7 September and can be found here.

BBC Radio 3 Proms Extra

On 9 August 2017, I introduced a number of readings relating to the International Brigades, movingly delivered by actors Christopher Ecclestone and Yolanda Vazquez and by Margot Heinemann’s daughter, Jane Bernal. The event was a Radio 3 Proms extra, presented by Clemency Burton-Hill and produced by Karen Holden, tied in with a performance of Benjamin Britten’s ‘Ballad Of Heroes‘, composed in honour of the British volunteers in the International Brigades.

LINE-UP OF EXTRACTS

You Who Stand at Your Doors – Randolph Swingler (CE)

George Orwell – On what the International Brigades were fighting for (CE)

Why Go to Spain? – Explanation by London volunteer, Jason Gurney (CE)

Dance of Death – W.H. Auden (CE)

The Volunteer – Cecil Day-Lewis (CE)

Excited to arrive in Spain – Nottingham volunteer Walter Gregory (CE)

General Emilio Mola – On the Rebels’ deliberate use of terror (CE)

No Pasarán – Speech by Dolores Ibárruri (YV)

Poem (Heart of the heartless world) – John Cornford to Margot Heinemann (JB)

Farewell to the International Brigades – Passage from Dolores Ibárruri’s famous speech in October 1938 (YV)

George Orwell – On the horror of war (CE)

Speech at Oxford unveiling on 10 June 2017

Speaking at Oxford, 10 June 2017. Photo by Ric Mellis, © The Oxford Times

In addition to being a historian, I am the Chair of the International Brigade Memorial Trust, a charity which keeps alive the memory and spirit of the men and women who volunteered to fight fascism – and those who supported them – during the Spanish Civil War of 1936-39.

The trust, made up of family members, friends, supporters and historians, organises events around the country, including the forthcoming national commemoration on 1 July in Jubilee Gardens on London’s South Bank. We provide assistance to those researching the International Brigades and the Spanish Civil War and promote the preservation of archives. Through our magazine, our eNewsletter, website and social media feeds, we keep our members and the wider public informed about developments concerning the memory and legacy of the International Brigades.

And, of course, we ensure that the more than 100 memorials to the volunteers located around the British Isles are maintained in good order. Where we can, we help new ones to be erected, such as this wonderful new monument. But all of this takes time and, more importantly, money. Please support us. If you are not yet a member, join. If you are a member, give generously. It really is money well spent.

For members of the Trust, the enduring significance of the International Brigades’ fight is not open to doubt. The recent, tragic events in Manchester and London are just the latest examples of the intolerance, bigotry and hatred – which we all know as fascism – that the International Brigades were determined to confront. The words of General Emilio Mola, the organiser of the Spanish military coup, could just as easily have come from those attacking democracy and pluralism today: ‘It is necessary to spread terror. We have to create the impression of mastery, eliminating without scruples or hesitation all those who do not think as we do.’

It was this kind of murderous ideology that spurred the 35 000 men and women from more than 52 countries from around the world to leave their homes, families and friends and volunteer to join the fight in Spain. The International Brigades fought in all the major battles in the civil war, from the last-ditch defence of Madrid in the autumn and winter of 1936-37, to the final, desperate Republican offensive across the River Ebro, in July 1938. Of 2500 to leave from the British Isles, more than 500 of them never returned.

The shattered remnants of the Brigades were withdrawn from the front in September 1938 and the following month in Barcelona, a huge farewell parade was held in their honour, famous for the speech by La Pasionaria, in which she invited the departing volunteers to return to Spain, ‘when the olive tree of peace puts forth its leaves, entwined with the laurels of the Spanish Republic’s victory’. It would be a long wait.

The tragedy of the Spanish Civil War is that despite the volunteers’ sacrifice, they – and the Republican Army in which they fought – were unable to defeat Franco and his German and Italian allies in Spain. Just as the volunteers had feared and prophesised, this led the way to six years of world war and the death of 60 million people.

It also led to more than thirty years of dictatorship in Spain. Only with the death of Franco in November 1975 could a democratic Spain emerge, which did not forget the gratitude conveyed by La Pasionaria so many years earlier. Efforts to express this by awarding Spanish nationality to the veterans of the International Brigades took some time to materialise, but in 2009, at a poignant ceremony in London, seven surviving British and Irish veterans were presented with Spanish passports. Anyone fortunate enough to be present that day will never forget the sight of the 94 year old Sam Lesser delivering an emotional thank you speech in fluent Castilian. The Spanish Ambassador to Britain, Carles Casajuana, responded graciously, assuring the handful of elderly survivors that:

Your efforts were not in vain. Your ideals are part of the foundations of our democracy in Spain today.

The volunteers were, to some extent, a paradoxical group of men and women: both ordinary and extraordinary at the same time. They were right to feel pride and we are right to feel pride in them. I would like to leave you today with the words of the popular London volunteer, Fred Thomas, who expressed his feelings with characteristic eloquence:

There were no medals to be won in Spain. But I believe that no man, not even that band of brothers who fought upon St. Crispin’s Day, nor that later Few of 1940, justly honoured though they may be, was ever prouder of his part than we who were of the International Brigade.

Carmen Negrín, grand-daughter of the last prime minster of the Spanish Republic, laying a wreath at the new memorial. Photo by Pauline Fraser

Art Revolutionaries!

Set in the heart of London’s commercial art gallery district, Mayoral’s ‘Art Revolutionaries’ is a homage to the Spanish Republic’s Pavilion in the famous Paris Exposition of 1937. The Spanish contribution deliberately and consciously expressed both the modernity of the Republic and the life and death struggle in which it was embroiled. The centrepiece, of course, was Picasso’s powerful depiction of the bombing of Guernica, prominently displayed at one end of a spacious, open auditorium.

This lovingly-curated exhibition goes to great lengths to recreate the impression of the original pavilion. On the first floor works by Pablo Picasso, Joan Miró, Alexander Calder and Julio González, many sourced from private collections, sit within a scale model of the original auditorium. Downstairs, interposed among detailed replicas of the original furniture, vivid Republican posters accompany a short film of the original 1937 exhibition, while helpful panels and displays of rich archival material recount the political and artistic context.

The exhibition has already been shown in Paris and Barcelona and when its time in London ends on 10 February 2017, there are no plans for it to go elsewhere. That, I think, is a shame. This (Mayoral’s wonderful catalogue aside) is the nearest most of us will get to experiencing the original Paris exposition. Based solely on what is on display here, it must surely have been a sight worth seeing.

This post first appeared in the March issue of The Volunteer.

Dare Devil Rides to Jarama

daredevil

Set on a minimalist stage with a cast of two, Dare Devil Rides to Jarama is a surprisingly successful account of the International Speedway star from Oldham, Clem Beckett, during the economically and politically turbulent 1920s and ’30s. The play’s central story – and its climax – recounts his time spent fighting in the Spanish Civil War alongside the writer, Christopher St. John Sprigg (more familiar under his nom de plume of Christopher Caudwell) with whom Beckett struck up a powerful friendship.

David Heywood makes a convincing Beckett and Neil Gore shows off his versatility by playing a number of parts from Sir Oswald Mosley to Christopher Caudwell. The play has some nice touches which (on the occasion that I was there) went down well, including a clever representation of the ‘wall of death’ with a puppet and a lusty sing-a-long to Euan McColl’s Manchester Rambler. There were many opportunities for audience participation (should you be in such a mind); such was the atmosphere, I even noticed a professor of history joining in. No mean feat.

It’s often difficult for historians at these events, particularly if (as is often the case) they are asked how accurate the production is. Often the answer is ‘not very’ though, of course, it should be remembered that the the constraints placed on fiction are rather less demanding than those placed on historical studies. It would be most unwise to take Shakespeare’s plays, John Ford’s westerns or George MacDonald Fraser’s historical novels too literally. To their credit, Townsend Productions‘ writer/actor Neil Gore and director Louise Townsend have clearly worked very hard to tell Beckett’s story as honestly and accurately as possible. I certainly think that the play does a remarkable job in explaining why so many men and women from Britain and Ireland (not to mention another 50 countries from around the globe) chose to leave their homes, families and friends to fight in a foreign civil war.

My only small criticism is that I felt the play was a little unkind to Caudwell/Sprigg. His character was something of a caricature, a bumbling upper-class twit, with the voice of John le Mesurier, yet little of the knowing, ironic humour. In ‘Dare Devil’ Sprigg rather seems to have ended up in the International Brigades, influenced by the strength of character of Beckett, whereas my impression is that ‘Spriggie’ volunteered to fight in much the same way as the other 2500 British and Irish volunteers. Likewise, in the final scene [spoiler alert], Sprigg is nowhere to be seen as Beckett, his French machine-gun having typically jammed, meets his end on the Jarama battlefield. Yet accounts from other member of the battalion fighting that day in February 1937 suggest that Beckett and Caudwell fell side by side, as inseparable in death as they had become in life. To be fair, a cast of two – one of whom needs to be operating the lighting – does rather limit one’s options.

But don’t let this small gripe put you off. Dare Devil Rides to Jarama is a powerful, atmospheric production and you have the additional satisfaction of knowing that, by going, you are supporting the work of the IBMT, who helped fund it. The play is on tour around the country at the moment, with dates available up to March 2017. Catch it while you can.

 

President Michael D. Higgins addresses the IBMT’s 2016 AGM

Ireland's President, Michael D. Higgins, addresses the IBMT's AGM in Dublin
L to R: Ireland’s President, Michael D. Higgins, IBMT Irish Secretary Manus O’Riordan, the President’s wife, Sabina Coyne and myself.

dc]T[/dc]o commemorate 80 years since the outbreak of the Spanish Civil War and the Easter Rising in Ireland, the fifteenth Annual General Meeting of the International Brigade Memorial Trust was held in Dublin’s Liberty Hall Theatre. To mark this special event, the President of Ireland, Michael D. Higgins, very generously agreed to both open the meeting and address the audience.

He gave what was, in many ways, a remarkable speech. Erudite, informative and wide-ranging, the topic was clearly dear to the President’s heart and his talk appeared to have been many years in the writing. It resisted clichés and over-simplifications, acknowledging that the war in Spain cannot be reduced to a binary struggle between good and evil, as the poet Stephen Spender once claimed. It was not, argued President Higgins, simply between Catholicism and Communism nor, for that matter, was it a straightforward struggle between democracy and fascism.

The speech was consistently generous in tone as well as content, and its conclusion generously praised the work of the Trust today, while honouring the efforts of the volunteers fighting for democratic Spain all those years ago:

Ba cheart dúinn, mar náisiún, a bheith an-bhródúil as na fir is na mná cróga Éireannach a chuaigh leis an Bhriogáid Idirnáisiúnta sa bhliain 1936. Is mian liom sibh a mholadh as an obair atá ar siúl agaibh le cuimhne agus le luachanna na ndaoine a throid ar mhachaire catha na Spáinne, ar son na saoirse i ngach áit, a choinneáil beo.

[As a nation we can be very proud of the brave Irish men and women who joined the International Brigade in 1936. May I commend you, therefore, for the work you do in keeping alive the memory and the values of all those who bravely fought for ‘freedom everywhere’ on the battlefields of Spain almost eighty years ago.]

The full text of the speech can be found on the President of Ireland’s website. I highly recommend it.

 

The IBMT’s annual commemoration, London 2016

flyer

Another year; another highly successful International Brigade Memorial Trust commemoration at London’s Jubilee Gardens.

Initially, as people arrived, the atmosphere seemed a little muted, with people’s minds – and many of the conversations – seemingly dominated by the tumultuous political events of the previous week. Several of the speakers would later allude to the referendum on membership of the European Union and what, for many of those present, was a feeling of lingering sadness. The overhead presence of a police helicopter monitoring the latest demonstration in support of Britain’s continued membership of the E.U. acted as a constant reminder.

jj
IBMT Secretary, Jim Jump. Photograph ©Andrew Wiard

However, the ceremony itself was a good tonic. This year saw perhaps the most balanced combination of speakers and performers. Compered, as usual, by IBMT Secretary Jim Jump, the afternoon’s events opened with two uplifting songs from long-standing favourites, folk duo Na Mara.

Almudena Cros, President of AABI (the Spanish Friends of the International Brigades) followed, delivering a typically passionate and heartfelt speech, referring to the internationalism of the volunteers in the 1930s and beseeching the current residents of the UK to echo their internationalism and not withdraw from Europe.

After the singing of ‘There’s a valley in Spain called Jarama‘, the laying of wreaths in front of the memorial and a dignified minute’s silence, it was the turn of Spanish rapper Perro Lobo. I confess to wondering how a performer rapping in Spanish might go down with the (not exactly teenage) IBMT crowd, but I needn’t have worried. His performance was more poetry than rap; the powerful lyrics were delivered with anger, but there was real eloquence there too.

wreaths
The national monument in London’s Jubilee Gardens. Photograph by Catalan Government UK

More music followed from Neil Gore, who is presently involved in putting on a performance about Clem Beckett, the motorcycle speedway star of the ’30s who was killed on the first day of the battle of Jarama in February 1937. I particularly enjoyed Neil’s accompanied version of Si mi queires escribir.

The penultimate speaker was Paul Preston, Emeritus Professor of Contemporary Spanish History at the London School of Economics, author of numerous books on the Spanish Civil War and Twentieth Century Spanish history [see video above]. He explained why the Spanish Civil War and its memory continue to matter. Paul concluded with a poignant excerpt from a virtually unknown American novelist, Josephine Herbst, on her – and many others’ – inability to adjust to life following the end of the Spanish tragedy.

The last of the speakers was the irrepressible Rodney Bickerstaffe, IBMT patron and former General Secretary of UNISON and President of the National Pensioners’ Convention. In his characteristically drole and entertaining manner, Rodney launched a call to arms, or rather a call to join. As he pointed out, supporting the IBMT’s valuable work – erecting memorials, holding commemorations, helping to educate people about the sacrifice of the volunteers for the Spanish Republic – only works out at a few pence per day. Money well spent!

maxine_peake
Maxine Peake reads a poem by Australian medical volunteer, Aileen Palmer. Photo by Sylvia Martin.

The final act was a reading of two poems by another IBMT patron, the actress Maxine Peake. The first was ‘The Dead Have No Regrets’ by Aileen Palmer, an Australian nurse who volunteered for Spain. The second is familiar to most IBMT members: Cecil Day Lewis’s, ‘The Volunteer’. It’s an emotional piece, as the catch in Maxine’s voice during her reading showed. As a professional she may have been disappointed at becoming overwhelmed, but I don’t think she should be. Sometimes it’s good to see what lies beneath the greasepaint.

crowd
A large crowd at London’s Jubilee Gardens for the IBMT’s annual commemoration. Photograph by Richard Baxell