The last volunteer
In the Sky News studio talking about the former International Brigader, Geoffrey Servante, who died on 22 April 2019, aged 99. He was almost certainly the last surviving British veteran of the Spanish Civil War.
Having read quite a lot about the Spanish Civil War over the years, I tend to approach novels set during the turbulent period of 1930s Spain with a fair degree of trepidation. While fiction is not constrained by the rules of historical non-fiction, it still grates when authors make lazy, factual errors. Fortunately, Jessie Burton has obviously researched thoroughly; not many novels would include Henry Buckley’s wonderful memoir, The Life and Death of the Spanish Republic, in the bibliography.
The Muse opens in 1960s London, where we meet the young, Caribbean immigrant Odelle Bastien. Fed up with her tedious job in a London shoe store, she manages to land herself a job in an obscure London art gallery, along with a posh boyfriend who seems to have little to show for himself, apart from ownership of a mysterious, strikingly beautiful painting.
The book then shifts to Spain in early 1936 and the affluent, British ex-pat family of frustrated teenager Olive Schloss. She’s been offered a place to study art at Slade in London, but her bipolar mother and out-of-touch father take neither Olive, nor her painting seriously. We also meet Isaac and Teresa, siblings from the nearby Andalusian village who, through their desperation for work, open our eyes to the appalling inequalities and class-hatreds of pre-civil war Spain.
As the book progresses and the narrative switches backwards and forwards with increasing rapidity, we begin to understand that the two stories are indelibly linked. Burton manages to inject a real sense of foreboding, which builds steadily as the plot develops and the pace quickens. It’s an extremely well-crafted novel, with strong, three-dimensional characters and a convincing portrayal of the two very different worlds in which they reside. It’s also very knowing, touching on themes such as racism in 1960s London and the long-standing lack of recognition of female artists.
The Muse is a powerful follow-up to the author’s debut, The Miniaturist, which sold over a million copies and was made into a BBC TV series. If you’re on the lookout for an intelligent, literary pager-turner, this might well be it.