On 31 May 2018 I joined the biographer and filmmaker, Jane Rogoyska, for a presentation at L.S.E.'s Cañada Blanch Centre, chaired by Professor Paul Preston. We were outlining our thoughts on the image that had recently appeared on social media: did it really show the celebrated photojournalist, Gerda Taro, on her death bed?
For this year's Len Crome event, I discussed the difficulties involved in establishing the precise background and origins of the volunteers for Spain from Britain & Ireland and how the various national groups in the International Brigades got along while fighting in Spain. The talk will be on the IBMT's Youtube channel and a precis appears in issue 45 of the IBMT magazine (2/2017).
The last volunteer
In the Sky News studio talking about the former International Brigader, Geoffrey Servante, who died on 22 April 2019, aged 99. He was almost certainly the last surviving British veteran of the Spanish Civil War.
On 9 August 2017, I introduced a number of readings relating to the International Brigades, movingly delivered by actors Christopher Ecclestone and Yolanda Vazquez and by Margot Heinemann’s daughter, Jane Bernal.
I was very happy to take part in a short six minute film produced by the Gill Parker Consultancy. The film was commissioned by the L.S.E. to showcase the expertise of LSE academics; in this instance Professor of Contemporary Spanish History, Paul Preston. In addition to myself, the film included interviews with former Basque child, Herminio Martínez; Professor of Spanish History, Helen Graham; and Spanish writer and journalist, Lala Isla.
The event began with Royal Holloway’s Carl-Henrik Bjerstrom discussing Republican arts initiatives between 1931 and 1939. Arguing that they were an essential part of the Republic’s humanitarian and democratic programme of reforms, he presented an astonishing statistic from 1937: that the Republican Ministry of Fine Arts had a larger budget than the Ministry of War. Even when qualified by the observation that the Republic had deposited their gold reserves in Moscow, it is pretty amazing. ‘No wonder they lost’, commented one wag.
Carl’s forensic presentation was followed by an illustrated lecture by Dr Carmen Herrero, Principal Lecturer on Spanish Culture and Film at Manchester Metropolitan University, outlining recent portrayals of the International Brigades in cinema. One of her examples was Carlos Saura’s ¡Ay Carmela!– as Carmen pointed out, it’s a great shame that is so hard to get hold of, for it’s a terrific film. Ken Loach’s Land and Freedom was also raised – perhaps bravely- though it’s always interesting to hear how the much-admired director works. Whatever you think of the film, Ken Loach’s enthusiasm for allowing actors to ad-lib made the (long and convoluted) discussion over the issues of collectivisation in a small Spanish village extremely lifelike and convincing.
During the lunch-break, the organisers kindly allowed me time to launch the paperback edition of Unlikely Warriors, due to be officially released on 1 April, 75 years to the day since the end of the Spanish Civil War. My thanks to all involved in the Manchester event for this.
The afternoon session opened with the writer and filmmaker Jane Rogoyska’s overview of the Gerda Taro’s contribution to the canon of photography of the civil war – both by taking photographs herself and by enabling her lover Robert Capa to do so. She explained how the identity of Robert Capa was a deliberate construction, a means by which the Hungarian Jewish migrant Andre Friedmann could overcome his background. Gerda Taro also changed her name (she was born Gerta Pohorylle), and the intelligent and multilingual Taro initially began by acting as Friedmann’s business manager. However, as the war progressed, and she moved from using a square-format Rolleiflex, to the 35mm Leica, her photographs became every bit as good as – and often indistinguishable from – those of Robert Capa.
The afternoon finished with a lecture on the ‘aestheticising of tragedy’ by Valentine Cunningham. Initially a bewildering barrage of names of the (mainly) English poets and artists who (mainly) supported the Spanish Republic, he moved on to a soaring and erudite discussion of the, perhaps understandably, elegiac nature of much of the writing. There was so much in the lecture to discuss, that I felt it would have been churlish to point out that there were in fact 35 000, not 60 000, volunteers for the International Brigades and though the English writer and poet Laurie Lee was undoubtedly one of them, to cite his A Moment of War as a reliable account is unwise, to put it mildly.
My thanks go out to the IBMT in general and the Manchester organisers in particular. The event was, I think, a great success.